All posts tagged: Lighting

The Shikoku Files – Mutemuka Sake and Shochu Distillery

In the previous post I detailed how we stayed in a lovely guest house called Kuro Usagi in Kochi prefecture, and also how they brew their own potent form of bathtub rice wine called doburoku. Well, during dinner we managed to sample a few pitchers of the stuff and things got somewhat blurry after all that, although I do remember yelling at Rod from Shikoku Tours about how Dragonball Z is to Japanese pop culture like Shakespeare was to the English language. I don’t think he understood or accepted my position. I do remember waking up the next morning at 6am feeling awful, and upon staggering to the car we then proceeded to drive two hours through an interminable stretch of mountain roads whose twists and turns threatened to make me hurl on more than one occasion. I’m not sure how Rod managed to keep us on the road, as he had had quite as much as I had the previous night, but thanks to him we arrived at our next location largely unscathed, albeit much grayer …

Tokyo Portraits: Accidental Icon (Lyn Slater)

A couple of months ago my amazingly talented friend and Tokyo-based kimono stylist Anji Salz messaged me excitedly and told me one of her fashion idols had agreed to do a collaboration with her. This fashion idol was one Accidental Icon aka Lyn Slater, professor at Fordham University who had – yes – accidentally become an extremely popular Instagram icon. One look at her feed was enough to convince me that I wanted to photograph her, and so it was that we all gathered on a freezing early February morning near Harajuku’s famous fashionista street, Takeshita Street to take some photos before the crowds rolled in. Ms. Slater herself was warm and cooperative, bearing with my constant changes in settings and posing with the patience of a saint – and that’s saying something considering how cold it was on that day. We wrapped up just as the rain came in and retreated into a cafe for some well deserved hot coffee. The haori jacket and demon mask obi (belt) are antiques provided by the very …

Japan Portraits: Shuho Hananofu – Ikebana Master

Around December last year I did a little photo portrait project with the wonderful folks at Kyoto Journal, centering around profiling entrepreneurial women in Kyoto. Here’s one of the amazing ladies that I photographed, which incidentally made the cover of Kyoto Journal issue 89, a very handsome magazine which is available now. Here is an excerpt from the very top of the article, written by the talented Elle Murrell, one of the most fun writers I’ve ever had the privilege of working with: “Hananofu Shuho is an ikebana master who was in charge of flower study section at Jisho-ji, better known as Ginkakuji, the ‘Silver Pavilion’ – one of Kyoto’s most famous temples – for 10 years. Since leaving the Center for Cultural Studies (Jisho-ji Kenshu dojo) there in 2015, she continues teaching her art form, leading several classes per month in Kyoto, Tokyo and Kyushu. Her students come from all over Japan and even from China for these intimate sessions.’ I’ve seen Shuho-san do ikebana performances on several occasions, and I’m always struck by …

Tokyo Portraits – Maezawa Yuusaku for Forbes

Earlier this year I was commissioned by Forbes to photograph a portrait of Maezawa Yuusaku, the billionaire CEO of Zozotown and art collector who has gained notoriety recently for dropping a record amount of money on an original Basquait. Unfortunately at the time of shooting the Basquait wasn’t available to be photographed alongside Mr Maezawa, so here he is pictured alongside his original Picasso in one of his offices at his Chiba headquarters. When I first entered the office the wooden wall really struck my fancy as I knew it would look gorgeous lit with my strobes, however there wasn’t anywhere to hang the Picasso. This meant that they would have to knock some holes into that beautiful wooden wall in order to hang the painting for the photos – something which I was loathe to ask for, however once I checked out every other area I could use for photos I became convinced that this was my spot. A little bit of polite wheedling and assurances that the photos would be worth the effort, …

Tokyo Portraits: Ochiai Yoichi for Nature Index Mag

I photographed this portrait of Ochiai Yoichi in Tokyo in February, 2017 for the cover of Nature Index mag. For the brief, I was told that Ochiai, who is phD  is considered a ‘wizard’ at manipulating matter using computer-controlled invisible forces, such as waveforms or phase arrays. I’m not really sure what all that means, but it sounds impressive, and the editorial team wanted to keep the wizard/magic theme going in the images. Short of a pointy hat and a grey beard, I came up with a concept that Ochiai could have lights on his fingertips, which would give him the ability to lightpaint and ‘manipulate’ the matter around him at will. Also, the lights would look kind of like the wands from Harry Potter- wizards! Short of an actual, LED glove, I decided to make one myself. Using a bunch of cheap parts that I bought from Akiba (below), I constructed a really rudimentary but functional LED ‘finger light’ accessory, that I would tape to Ochiai’s arm, if he was ok with it. Luckily, …

Tokyo Photographer Irwin Wong - Year of the Monkey (2)

It’s… the YEAR OF THE MONKEY!

Wahey! Congratulations all for surviving another year, although judging by the amount of KFC I just ate, that sentiment may be short lived for me. ANYWAY the new year is a time for reflection, a time for taking stock and quiet contemplation, and I’m happy to say that looking back on last year I can hold my head up high. For one thing, I all but DOUBLED the number of blog posts I put up compared to previous years (6 compared to 3) and managed a net gain of 13 Twitter followers, which for me is a really big deal because we all want to be popular, especially if you’re an Internashonal Fotografer like myself. So here’s to a successful 2016 in which I consolidated my status as social media powerhouse. By far though, my most favorite thing I made last year was definitely The Last Sentoshi – a camera-themed special effects superhero short film which I wrote, directed shot and edited, which NO ONE WATCHED, so that was cool. Hope to create more film …

Tokyo Photographer Irwin Wong - Kimono Now (11)

Kimono Designer Jotaro Saito + Tokyo Fashion Icon Kumamiki

  Sometimes you really have to work for your shots, and sometimes all you need to do is show up. When you have a top class kimono designer providing attire, an entire Japanese restaurant booked out for your location and a beautiful  model organized for the entire day then I can definitively enter that into the ‘glad to be a photographer’ variety of days that I’m on the job. As I mentioned in my previous blog post I was fortunate enough to work with Manami Okazaki on her most recent book ‘Kimono Now‘, which is in stores currently. There were plenty of photos taken and a lot of the shots weren’t used so I thought I’d post some of the off-cuts here on my blog. Ah the memories. I was still using a Nikon D4 back in those days 🙂 Jotaro Saito’s website is here for anyone curious, and he has a pretty cool showroom in Roppongi Hills for those who need kimonos on the cutting edge of fashion.  This is the man himself: Next up …

Finally – The Last Sentoshi has arrived

Well, I’ve been promoted the living shit out of it for the last week or so, and here it is finally: the official release of “The Last Sentoshi”. What is this? If you like photography and you like anime or superheroes, you might like this movie. Why’d I do this? I dunno! But I really had a blast making it. I really have to thank Nissin Digital Japan (they make strobes) for actually having the balls to do something like this. They had my back every step of the way and really helped out on the production side of things. Not a lot of companies, especially in Japan, are quite so willing to put their trust in someone so untested such as myself. I also have to really thank the entire cast and crew for all of their own time they put in over our manic 3 day shoot. I’ll be writing up about the process of getting this project off the ground in future blog posts, as I really stepped out of my comfort …

「最後の閃闘士」The Last Sentoshi: Trailer

I’m a bandwagon jumper. I’m not ashamed to admit it. I like to do things that everyone is doing, especially if everyone else finds it popular. Photography is one of those things, and so is eating. Recently another one of those popular things is superhero movies. I mean seriously, those things have really really taken off. Seems like about twenty of those things come out every year, and people can’t get enough of them. Me either. I’m watching them all, without fail. Except that Fantastic Four reboot, hoo boy. Josh Trank really screwed the pooch on that one. Anyway getting back to the point, superhero movies the new bandwagon and I’m a bandwagon jumper, so guess what! I made a superhero movie. Kind of. More accurately it’s a short film and it’s more anime-inspired than superhero-inspired. Here’s the trailer. The official release is on September 18. Hope you enjoy it and please share if you feel inclined! Also, here is the English subtitled version for non-Japanese understanding folks!

Recent Portraits: Yoshiyuki Sankai of Cyberdyne Inc.

I think I was about 8 when I watched James Cameron’s fantastic documentary Terminator 2: Judgment Day for the first time, and by golly that film scared the bejeezus out of me. Something about that scene where Linda Hamilton gets nuked, has her skin burned off and is turned into a skeleton in her nightmare really caused me to crap my pants. Also, the bit where the T-1000 stabs that carton of milk was particularly upsetting to me, for some reason. But the scene that really lodged itself into 8 year old self’s head was the death scene of token black character Miles Dyson, Cyberdyne employee and inventor of the microchip technology that would eventually lead to the self-aware computer called Skynet and all the nuclear shenanigans that entailed. In this scene Dyson, in keeping with the fine tradition of all token black characters in cinema history, has been shot and left for dead by all the white characters who have vacated the area quicker than a train carriage emptying out after a particularly bad fart. Poor Dyson, wounded and unable to …