All posts tagged: Lighting

Tokyo Portraits: Ochiai Yoichi for Nature Index Mag

I photographed this portrait of Ochiai Yoichi in Tokyo in February, 2017 for the cover of Nature Index mag. For the brief, I was told that Ochiai, who is phD  is considered a ‘wizard’ at manipulating matter using computer-controlled invisible forces, such as waveforms or phase arrays. I’m not really sure what all that means, but it sounds impressive, and the editorial team wanted to keep the wizard/magic theme going in the images. Short of a pointy hat and a grey beard, I came up with a concept that Ochiai could have lights on his fingertips, which would give him the ability to lightpaint and ‘manipulate’ the matter around him at will. Also, the lights would look kind of like the wands from Harry Potter- wizards! Short of an actual, LED glove, I decided to make one myself. Using a bunch of cheap parts that I bought from Akiba (below), I constructed a really rudimentary but functional LED ‘finger light’ accessory, that I would tape to Ochiai’s arm, if he was ok with it. Luckily, …

Tokyo Photographer Irwin Wong - Year of the Monkey (2)

It’s… the YEAR OF THE MONKEY!

Wahey! Congratulations all for surviving another year, although judging by the amount of KFC I just ate, that sentiment may be short lived for me. ANYWAY the new year is a time for reflection, a time for taking stock and quiet contemplation, and I’m happy to say that looking back on last year I can hold my head up high. For one thing, I all but DOUBLED the number of blog posts I put up compared to previous years (6 compared to 3) and managed a net gain of 13 Twitter followers, which for me is a really big deal because we all want to be popular, especially if you’re an Internashonal Fotografer like myself. So here’s to a successful 2016 in which I consolidated my status as social media powerhouse. By far though, my most favorite thing I made last year was definitely The Last Sentoshi – a camera-themed special effects superhero short film which I wrote, directed shot and edited, which NO ONE WATCHED, so that was cool. Hope to create more film …

Tokyo Photographer Irwin Wong - Kimono Now (11)

Kimono Designer Jotaro Saito + Tokyo Fashion Icon Kumamiki

  Sometimes you really have to work for your shots, and sometimes all you need to do is show up. When you have a top class kimono designer providing attire, an entire Japanese restaurant booked out for your location and a beautiful  model organized for the entire day then I can definitively enter that into the ‘glad to be a photographer’ variety of days that I’m on the job. As I mentioned in my previous blog post I was fortunate enough to work with Manami Okazaki on her most recent book ‘Kimono Now‘, which is in stores currently. There were plenty of photos taken and a lot of the shots weren’t used so I thought I’d post some of the off-cuts here on my blog. Ah the memories. I was still using a Nikon D4 back in those days 🙂 Jotaro Saito’s website is here for anyone curious, and he has a pretty cool showroom in Roppongi Hills for those who need kimonos on the cutting edge of fashion.  This is the man himself: Next up …

Finally – The Last Sentoshi has arrived

Well, I’ve been promoted the living shit out of it for the last week or so, and here it is finally: the official release of “The Last Sentoshi”. What is this? If you like photography and you like anime or superheroes, you might like this movie. Why’d I do this? I dunno! But I really had a blast making it. I really have to thank Nissin Digital Japan (they make strobes) for actually having the balls to do something like this. They had my back every step of the way and really helped out on the production side of things. Not a lot of companies, especially in Japan, are quite so willing to put their trust in someone so untested such as myself. I also have to really thank the entire cast and crew for all of their own time they put in over our manic 3 day shoot. I’ll be writing up about the process of getting this project off the ground in future blog posts, as I really stepped out of my comfort …

「最後の閃闘士」The Last Sentoshi: Trailer

I’m a bandwagon jumper. I’m not ashamed to admit it. I like to do things that everyone is doing, especially if everyone else finds it popular. Photography is one of those things, and so is eating. Recently another one of those popular things is superhero movies. I mean seriously, those things have really really taken off. Seems like about twenty of those things come out every year, and people can’t get enough of them. Me either. I’m watching them all, without fail. Except that Fantastic Four reboot, hoo boy. Josh Trank really screwed the pooch on that one. Anyway getting back to the point, superhero movies the new bandwagon and I’m a bandwagon jumper, so guess what! I made a superhero movie. Kind of. More accurately it’s a short film and it’s more anime-inspired than superhero-inspired. Here’s the trailer. The official release is on September 18. Hope you enjoy it and please share if you feel inclined! Also, here is the English subtitled version for non-Japanese understanding folks!

Recent Portraits: Yoshiyuki Sankai of Cyberdyne Inc.

I think I was about 8 when I watched James Cameron’s fantastic documentary Terminator 2: Judgment Day for the first time, and by golly that film scared the bejeezus out of me. Something about that scene where Linda Hamilton gets nuked, has her skin burned off and is turned into a skeleton in her nightmare really caused me to crap my pants. Also, the bit where the T-1000 stabs that carton of milk was particularly upsetting to me, for some reason. But the scene that really lodged itself into 8 year old self’s head was the death scene of token black character Miles Dyson, Cyberdyne employee and inventor of the microchip technology that would eventually lead to the self-aware computer called Skynet and all the nuclear shenanigans that entailed. In this scene Dyson, in keeping with the fine tradition of all token black characters in cinema history, has been shot and left for dead by all the white characters who have vacated the area quicker than a train carriage emptying out after a particularly bad fart. Poor Dyson, wounded and unable to …

Portraits from the Archives: Toyo Ito

Never let it be said that I am not an unstoppable content producing machine. I churn out photos like my camera has some form of irritable bowel syndrome, which in itself is a great metaphor for most of my photos. The thing I tend to forget about is the part where I put them up somewhere to be seen; namely on this blog. If anyone’s counting (and I doubt anyone is), you’ll find that I wrote a grand total of 4 blog posts last year, averaging one every three months which equates to typing roughly one word every 6 hours. A pretty gruelling schedule you might say and I say yes, by the time I got to typing my typing fingers had all been tuckered out by the endless button pushing, dial spinning and head scratching that my job requires of me. Facetiousness aside though, I think we can safely delete the title ‘social media guru’ from my LinkedIn account profile, as last year I probably put as much effort into self promotion as a bodybuilder puts into binge eating. …

On Hasselblads, Noh, and freelancing for a living

Sometimes I wonder if being a freelance photographer these days is a bad idea. Honestly, I do. I could count off the number of gripes I have about my chosen career and you’d have walked off in disgust before I’d even got started. To list of the main ones; it’s a terrifying world with no one to take you by the hand and guide you. Work and money don’t just fall into your lap – you have to go out and find it, and once you do, you have to fight off other photographers to keep it. You don’t get paid when you take time off to go on holiday. And then there’s the endless amount of drudge-work to do in between shooting that never seems to end or dry up. Taxes, insurance, rent payments, gear payments, more taxes – and in my case, visa applications, all sapping away at the resources you need to keep yourself motivated to get out there and keep that momentum up. A lot of people out there romanticize the …

NOT a list of 10 things I’ve learnt from shooting 4×5

*Warning: sanctimonious rant ahead* I don’t know what the heck is the deal with people on the Internet these days, but there seems to be an overabundance of ‘wisdom lists’ propagating amongst photography blogs in particular. ’10 things I’ve learnt from street photography’, ‘9 things I’ve learnt from developing film’, ’26 life lessons I’ve learnt from greasing my shutter button’ etc. ad infinitum ad nauseam. People like this kind of thing I guess. Numbers, metrics, concrete results – if you’re shooting photos and spending the nest egg on gear and workshops then I guess being able to quantify your progress into discrete bullet points makes the whole game of photography a little more palatable for the average weekend warrior/aspiring photographer. Also, I hear the list thing is good for search engines, so if increasing that statistic is your focus as a photographer, good luck to you. So, lists. I dislike them for no rational reason and thusly have taken my first good step into crotchety old man territory. Frankly though, if we’re talking about things …

It’s…THE YEAR OF THE HORSE!

Happy New Year everyone! In keeping with my tradition of shooting a new year’s card with my team (see last one here) – I’ve gone and shot something in keeping with this year’s theme according to the Chinese zodiac – the year of the horse! Once again, I featured my team in a movie poster, this time with a WWII theme (only because the costumes were the only ones within my budget) and I decided to up the ante a little by including a live animal in the shoot this time. So we all jumped into a car and drove down to a farm in Chiba where I had booked a horse for the shoot. Given that I’m no horse-whisperer there were quite a few risks involved in going forward with this idea – firstly, the fact that it was my first time working with such a large live animal on set with some super expensive gear gave me the f/64 pucker factor, not to mention the fact that it was my first time riding …