All posts tagged: learn photography in Tokyo

Japanese Artisans: Koinobori in Gujo Hachiman

Although I am primarily a photographer based in Tokyo, you’ll often find me traveling to random cities and towns to find artisans and craftsmen to photograph as part of my ongoing personal project to document as many as possible. Since the beginning of 2017, Zeiss has partnered with me to produce a series of videos, photos and text for their newly updated Lenspire blog. Now with this year coming to a close, I’ve decided to post the start of the series on my blog to show you folks where it all started. Please visit the original piece here where there are many more links to nearly a whole year’s worth of master artisans. Anyway, here’s the article below, enjoy! The Carp Streamers of Gujo Hachiman from Irwin Wong | Photographer on Vimeo. Carp Swimming up a Winter Stream As I write this I am sitting in a trendy cafe in Gujo Hachiman watching the snow pile down outside in swirling flurries. My hands and toes have been frozen two days of standing in a river taking photos …

Tokyo Portraits: Ochiai Yoichi for Nature Index Mag

I photographed this portrait of Ochiai Yoichi in Tokyo in February, 2017 for the cover of Nature Index mag. For the brief, I was told that Ochiai, who is phD  is considered a ‘wizard’ at manipulating matter using computer-controlled invisible forces, such as waveforms or phase arrays. I’m not really sure what all that means, but it sounds impressive, and the editorial team wanted to keep the wizard/magic theme going in the images. Short of a pointy hat and a grey beard, I came up with a concept that Ochiai could have lights on his fingertips, which would give him the ability to lightpaint and ‘manipulate’ the matter around him at will. Also, the lights would look kind of like the wands from Harry Potter- wizards! Short of an actual, LED glove, I decided to make one myself. Using a bunch of cheap parts that I bought from Akiba (below), I constructed a really rudimentary but functional LED ‘finger light’ accessory, that I would tape to Ochiai’s arm, if he was ok with it. Luckily, …

Japanese Artisans – The Magic Mirror Craftsman

Although I am primarily a photographer based in Tokyo, you’ll often find me traveling to random cities and towns to find artisans and craftsmen to photograph as part of my ongoing personal project to document as many as possible. Since the beginning of 2017, Zeiss has partnered with me to produce a series of videos, photos and text for their newly updated Lenspire blog. Now with this year coming to a close, I’ve decided to post the start of the series on my blog to show you folks where it all started. Please visit the original piece here where there are many more links to nearly a whole year’s worth of master artisans. Anyway, here’s the article below, enjoy! The Magic Mirror Artisan from Irwin Wong | Photographer on Vimeo. There are a myriad reasons why I visit Kyoto. For those tossing up whether to book tickets, just do it – it’s a no-brainer. The city is comprised of so many elements that make it endlessly enchanting; crystal clear canals crisscrossed with stone bridges, ancient paved …

Carl Zeiss Batis 135mm f/2.8 – User Review

I’ve been using the Carl Zeiss Batis 135mm f/2.8 for over 2 months now and I’m going to be sad to return it. The Sony E-mount has been sorely missing a 135mm lens in its line-up and Zeiss has finally delivered in convincing style. I’m going to go into detail a little bit here about why I’ve enjoyed using this lens so much, and provide some sample photos for you all to gander at. First of all, it has to be noted that with the Batis series Carl Zeiss has gone and done something a little different to their usual approach to lenses. The Batis series is completely autofocus friendly, which is good news if you’re not comfortable with purely manual focus lenses (although I have a whole diatribe on why MF is back in a big way – here). Paired with the Sony A series’ rather excellent focus and eye tracking system, this makes the latest Batis an impressive lens indeed for all sorts of applications, which we’ll get to. Firstly however, I want …

Tokyo Photographer Irwin Wong (7)

Earning your dinner – how to ask for permission to take a photo.

I’m going to tell you guys a little photography parable today, because who doesn’t like a cute little story with a moral lesson at the end? Every now and then it’s nice to have a peek inside the mental process of a photographer in order to see how certain pictures are made. In this case it’s a pretty simple story with a simple lesson but sometimes those are the ones we need to pay the closest attention to. Anyway, one of my favorite portraits of the year so far was shot with absolutely no preparation or foreknowledge of the subject’s existence. I’m in Fukuoka, one of Japan’s major southern cities and one of my favorite spots in all Japan. I’m there for a magazine photoshoot, which, as an editorial photographer is a rare treat. Traveling for photoshoots is significantly rarer nowadays so anytime I get to go anywhere to shoot portraits I get super stoked. Anyway I digress. The magazine shoot was wrapped and in the bag, and I decided to stick around in Fukuoka because I had a …

CEO Portraits: Masaaki Kanai of MUJI

Quick post today guys; this one is a portrait of MUJI CEO Masaaki Kanai that I photographed back in 2014. Japan is known as an exporter of many things but Nordic-style furniture is not one of them. That’s where furniture and lifestyle juggernaut MUJI come in – their empire of natural fibers and wood grains has expanded across the globe in an explosive fashion over the last few years. I met Mr. Kanai at the MUJI headquarters in Japan for about twenty minutes and was able to make a variety of portraits before my time was up. On a side note this is the photo shoot that made me decide to give Nikon the boot once and for all – I used my Nikon D4 (quite a high end camera I’d say) and the number of back focused and otherwise unusable shots due to under-performing auto focus made me so fed up that I sold the whole system and bought a into the mirrorless system instead. But that’s a story for another day!

Tokyo Photographer Irwin Wong

Lens Review: Carl Zeiss Loxia 35mm f/2

Ok I’m just going to start out by saying I absolutely freaking love the Loxia lens lineup from Carl Zeiss. So the TL:DR version of this review is: get this lens if you have a Sony a7. Just get it. Anyway I know the Loxia lineup has been out for a while but I’ve spent a bunch of time with them on all sorts of jobs, especially the 35mm which was the first one that I purchased. I may not be able to provide the most technical review on the Internetz but I can definitely give you a sense of how the lens performs and feels working in the real world, where MTF charts matter less than how comfortable it feels in your hand. So to keep things concise right from the get go: Reasons why this lens is awesome: – Superb rendering and contrast – Super compact – Solid all metal construction – Manual focus throw is intuitively spaced – Great close focus – De-clickable aperture ring – Out of focus areas have a characteristic look Reasons why …

「最後の閃闘士」The Last Sentoshi: Trailer

I’m a bandwagon jumper. I’m not ashamed to admit it. I like to do things that everyone is doing, especially if everyone else finds it popular. Photography is one of those things, and so is eating. Recently another one of those popular things is superhero movies. I mean seriously, those things have really really taken off. Seems like about twenty of those things come out every year, and people can’t get enough of them. Me either. I’m watching them all, without fail. Except that Fantastic Four reboot, hoo boy. Josh Trank really screwed the pooch on that one. Anyway getting back to the point, superhero movies the new bandwagon and I’m a bandwagon jumper, so guess what! I made a superhero movie. Kind of. More accurately it’s a short film and it’s more anime-inspired than superhero-inspired. Here’s the trailer. The official release is on September 18. Hope you enjoy it and please share if you feel inclined! Also, here is the English subtitled version for non-Japanese understanding folks!

Portraits from the archives: Apichatpong Weerasethakul

Given that I’m somewhat nominally in the creative business, I occasionally find myself indulging in the delusion that I am some kind of flighty auteur type whose sensitive needs and fancies are incomprehensible to the common man, and that the everyday grind of administrative tasks such as emailing and dressing presentably are beneath me. This I use as an excuse for when I eat an entire bag of Funyuns in one sitting while marathoning the extended Lord of the Rings Directors Cut in my underwear. It also helps stave off the guilt when I spend a whole day hungover playing video games. Hey, I’m a sensitive artiste you know, I need all of this special time to get inspiration for my work, and by special time I mean rewatching season 6 of Seinfeld for the eleventh time. Human experience is all relative though and in my line of work I’m fortunate enough to meet lots of people who manage being both creatives as well as fully functioning adults at the same time. One such example is the Thai director Apichatpong Weerasethekul …

On Hasselblads, Noh, and freelancing for a living

Sometimes I wonder if being a freelance photographer these days is a bad idea. Honestly, I do. I could count off the number of gripes I have about my chosen career and you’d have walked off in disgust before I’d even got started. To list of the main ones; it’s a terrifying world with no one to take you by the hand and guide you. Work and money don’t just fall into your lap – you have to go out and find it, and once you do, you have to fight off other photographers to keep it. You don’t get paid when you take time off to go on holiday. And then there’s the endless amount of drudge-work to do in between shooting that never seems to end or dry up. Taxes, insurance, rent payments, gear payments, more taxes – and in my case, visa applications, all sapping away at the resources you need to keep yourself motivated to get out there and keep that momentum up. A lot of people out there romanticize the …