All posts tagged: editorial

Japan Travel: Farm to Table Wasabi for Korean Air

When you least expect it, some stories become some of the most memorable ones of the year. In this case was the time I was assigned to photograph wasabi from farm to table in Shizuoka, two hours outside of Tokyo. What makes wasabi such a unique produce is that it requires exacting conditions in order to thrive. For one, it requires constant flowing fresh water. On top of that the water has to be just the right temperature – not too hot, not too cold. Even in the many mountainous ranges of Japan there are few areas suited to the large scale cultivation of wasabi. Utogi, in Shizuoka prefecture is one such place. The fresh water requirements of wasabi require farming villages to be nestled in the midst of remote mountains. Although only an hour away from Shizuoka city central, the town of Utogi is located after enduring some dizzying mountain switchback roads. Upon arriving at the town you will see a plinth inscribed with the words: ‘Utogi – The Birthplace of Wasabi’. Utogi was …

The Umbrellas of Yodoe

Although I am primarily a photographer based in Tokyo, you’ll often find me traveling to random cities and towns to find artisans and craftsmen to photograph as part of my ongoing personal project to document as many as possible. Here is one of many that I have met along the way! The Umbrellas of Yodoe from Irwin Wong | Photographer on Vimeo. It’s a long journey to Tottori Prefecture from Tokyo. My assistant Hamish and I are well into our alcoholic beverages by the time the bullet train pulls into Okayama Station. From there we will sleep the night and the next morning drive nearly three hours through mountain ranges to the opposite coast, where our destination awaits. Tottori Prefecture definitely gets an award for Most Off The Beaten Track’ in Japan. It’s one of the least populated prefectures in Japan with only 500,000 residents. It also gets the fewest tourists out of any prefecture, and it isn’t surprising; it’s really hard to get to. Nevertheless, Tottori has a ton of history and tradition, and …

Yokohama and Sydney Chinatown for Cathay Pacific Discovery

Being a photographer in Tokyo is not always easy. There are some jobs where I find myself navigating overcrowded subways with unfeasible amounts of gear, lugging them up and down staircases and enduring dirty stares from fellow commuters. Other times I have to maneuver my lights inside a tiny rabbit hole of a location, or contend with the dreadful lighting and drab interiors of the typical Tokyo office locale. Blessedly, there come jobs that are the complete opposite – such as this one from Cathay Pacific’s Discovery magazine, which was a feature on Chinatowns around the world. Luckily for me I got to photograph two of them – Yokohama and Sydney. My job was to be present, observe and capture the vibe of both locations, and nothing is more satisfying to a photographer than a good excuse to step away from the computer and spend some time roaming the streets. I also shot two videos for them: Yokohama Chinatown for Silkroad from Irwin Wong | Photographer on Vimeo. Sydney Chinatown for Silkroad from Irwin Wong …

Tokyo Portraits: Accidental Icon (Lyn Slater)

A couple of months ago my amazingly talented friend and Tokyo-based kimono stylist Anji Salz messaged me excitedly and told me one of her fashion idols had agreed to do a collaboration with her. This fashion idol was one Accidental Icon aka Lyn Slater, professor at Fordham University who had – yes – accidentally become an extremely popular Instagram icon. One look at her feed was enough to convince me that I wanted to photograph her, and so it was that we all gathered on a freezing early February morning near Harajuku’s famous fashionista street, Takeshita Street to take some photos before the crowds rolled in. Ms. Slater herself was warm and cooperative, bearing with my constant changes in settings and posing with the patience of a saint – and that’s saying something considering how cold it was on that day. We wrapped up just as the rain came in and retreated into a cafe for some well deserved hot coffee. The haori jacket and demon mask obi (belt) are antiques provided by the very …

Tokyo Portraits: Kazuo Ishigame for Forbes

Thankfully, there will always be a demand for executive portraits in Tokyo. This time around I was very fortunate to be asked to photograph the Japanese entrant in the Forbes 30 under 30 list in Enterprise Technology. Kazuo Ishigame runs Infostellar, a cloud based service which allows antennae operators to rent out their antennas between the long downtimes that they are waiting to be in contact with satellites flying overhead. Yeah, it’s pretty complicated. When I was asked to do this shoot, trying to encapsulate Mr. Ishigame’s job description into a single frame became an extremely difficult task the more I thought about it. Computers, satellites, renting antennae? Photographing CEOs of tech companies with intangible services is definitely the challenge facing this generation of portrait photographers. I ended up going with an idea that I had used in an unpublished test shoot from some years ago; my assistant and I strung up a large amount of cotton against a sky-blue background and lit it to look like clouds. Then I glued together a cheap plastic …

Japanese Masters: The Blacksmiths of Sakai

Although I am primarily a photographer based in Tokyo, you’ll often find me traveling to random cities and towns to find artisans and craftsmen to photograph as part of my ongoing personal project to document as many as possible. Here is one of many that I have met along the way! The Knives of Sakai from Irwin Wong | Photographer on Vimeo. The city of Sakai is a mere thirty minute drive from the neon-soaked streets of central Osaka – so close in fact that it feels like I never left. Still, the streets of Sakai are markedly different from the gaudy and brazen Osaka fare – there are fewer shops and zero tourists. A light rail trundles through the main thoroughfare. I notice other things as I drive towards my destination: a high frequency of workshops that advertise some kind of metal-working trade – polishing, smithing or sharpening. A high percentage of the shops are shuttered, their buildings too aged and run down to be operational. There are a few still open. I pull …

Photo Essay: Luxury Trains in Japan

Being a photographer in Japan has so many perks – not the least of which is the amazing, ultra reliable bullet train system that means I can zip from city to city with so much less effort being subjected to all sorts of cavity searches in order to board a flight. Japan’s trains are so good, clean and fast that once you’re used to them, it’s almost impossible for any other country to live up to them. Of course, Japan being Japan, they can’t leave well enough alone, and had to find some way to make the train experience even more sublime. Japan’s luxury train lineup is a serious droolfest for train nerds and luxury travelers alike, with berths on the most exclusive Shikishima train starting at around $7000 for a twin share. Not quite so expensive yet marvelous nonetheless is the Royal Express train, which I had the great pleasure of photographing for the Wall Street Journal late last year. The Royal Express runs from Yokohama down to the tip of the Izu peninsula …

Tokyo Portraits – Yuusaku Maezawa for Wall Street Journal

Being an English and Japanese speaking photographer based in Tokyo, I’m lucky enough to be able to get editorial jobs that require someone who can operate without a costly translator. However, when I get the opportunity to photograph the same person multiple times in the same year for various outlets, I definitely know I have found my place in the market. The person in question is Zozotown CEO Yuusaku Maezawa, an avid art collector who was definitely the man of the hour having purchased a Basquiat for a record sum at auction last year. I had photographed him earlier in the year for Forbes and now the wonderful people at the Wall Street Journal gave me another opportunity to photograph him, this time at his luxurious apartment in the heart of Tokyo. Mr. Maezawa certainly remembered me from our last encounter and this shoot was much more relaxed and fun than the other one, due to our familiarity. With so much expensive artworks lying around I was a little nervous about bumping into anything, but …

Tokyo Portraits: Marie Kondo for The Times

A few years back I had the opportunity to photograph author and lifestyle consultant Marie Kondo in her Tokyo office. Now in case you don’t know who Marie Kondo is, she basically rewrote the book for organizing your life, and her method of cleaning out your life so that the only possessions you own are the ones most dear to you has become so popular that her name has become part of the zeitgeist, in the form of the word ‘konmari’.  For people in the know, to konmari your life means to get your shit together and start ditching baggage – both physical and nonphysical – in order to make room for yourself to breathe. She’s basically one of the newest household names to come out of Japan. Marie-san herself was small, both in stature and in voice, but she was an absolute joy to photograph despite her newfound international celebrity status. This article appeared in The Times, and was later syndicated for use in The Australian Sunday Edition – here are a couple of …

Japan Portraits: Shuho Hananofu – Ikebana Master

Around December last year I did a little photo portrait project with the wonderful folks at Kyoto Journal, centering around profiling entrepreneurial women in Kyoto. Here’s one of the amazing ladies that I photographed, which incidentally made the cover of Kyoto Journal issue 89, a very handsome magazine which is available now. Here is an excerpt from the very top of the article, written by the talented Elle Murrell, one of the most fun writers I’ve ever had the privilege of working with: “Hananofu Shuho is an ikebana master who was in charge of flower study section at Jisho-ji, better known as Ginkakuji, the ‘Silver Pavilion’ – one of Kyoto’s most famous temples – for 10 years. Since leaving the Center for Cultural Studies (Jisho-ji Kenshu dojo) there in 2015, she continues teaching her art form, leading several classes per month in Kyoto, Tokyo and Kyushu. Her students come from all over Japan and even from China for these intimate sessions.’ I’ve seen Shuho-san do ikebana performances on several occasions, and I’m always struck by …