All posts filed under: Locations

Tokyo Portraits: Kazuo Ishigame for Forbes

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Thankfully, there will always be a demand for executive portraits in Tokyo. This time around I was very fortunate to be asked to photograph the Japanese entrant in the Forbes 30 under 30 list in Enterprise Technology. Kazuo Ishigame runs Infostellar, a cloud based service which allows antennae operators to rent out their antennas between the long downtimes that they are waiting to be in contact with satellites flying overhead. Yeah, it’s pretty complicated. When I was asked to do this shoot, trying to encapsulate Mr. Ishigame’s job description into a single frame became an extremely difficult task the more I thought about it. Computers, satellites, renting antennae? Photographing CEOs of tech companies with intangible services is definitely the challenge facing this generation of portrait photographers. I ended up going with an idea that I had used in an unpublished test shoot from some years ago; my assistant and I strung up a large amount of cotton against a sky-blue background and lit it to look like clouds. Then I glued together a cheap plastic …

Japanese Masters: The Blacksmiths of Sakai

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Although I am primarily a photographer based in Tokyo, you’ll often find me traveling to random cities and towns to find artisans and craftsmen to photograph as part of my ongoing personal project to document as many as possible. Here is one of many that I have met along the way! The Knives of Sakai from Irwin Wong | Photographer on Vimeo. The city of Sakai is a mere thirty minute drive from the neon-soaked streets of central Osaka – so close in fact that it feels like I never left. Still, the streets of Sakai are markedly different from the gaudy and brazen Osaka fare – there are fewer shops and zero tourists. A light rail trundles through the main thoroughfare. I notice other things as I drive towards my destination: a high frequency of workshops that advertise some kind of metal-working trade – polishing, smithing or sharpening. A high percentage of the shops are shuttered, their buildings too aged and run down to be operational. There are a few still open. I pull …

Irwin Wong - Tokyo Plastic Food (13)

Maizuru Plastic Food Company – Tokyo

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Hello all! I’m back with another blog post detailing some my (paid and unpaid) photographic adventures in Japan. As a professional photographer in Tokyo I often get to visit some of the more wacky and interesting places on this side of Asia and this time was no exception. Today we have a bit of documentary and editorial photography of one of Tokyo’s most famous plastic food sample makers, Maizuru Plastic Food Company. Earlier this year Australian-based magazine Smith Journal contacted me to go photograph them for one of their features and I was all to happy to go. A bit of introduction to what the folks at Maizuru do – they hand make all of the plastic food samples that you’ll often see in the windows of Tokyo restaurants or cafes. That’s right – everything is hand made, right down to the molds and as such at the end of the day not a single food sample is identical, kind of just like actual food. Walking through the factory is a little surreal at times because there …

Tokyo Photographer Irwin Wong - Nissan Design Center (34)

Car Stuff: Nissan Design Center in Atsugi, Japan

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Back in the day, when I was a young whippersnapper in Australia, my friends and I used to have dreams of owning a sweet import Japanese sports car so we could go drifting in the Dandenongs and pretend we were in some mountain drift racing group. We were fucking stupid, now that I think about it. Years later the impulse towards suicidal driving is gone but the love of Japanese cars still remains. Cars like the Toyota Supra or MR-2, Mazda RX-7, Honda S2000 or NSX, Mitsubishi Evo, Subaru WRX, all such automobiles as to set the pulse racing with thoughts of irresponsible speeding and reckless endangerment of other motorists on the rubber-streaked roads of Melbourne, Victoria. High amongst them all though, were the offerings from Nissan: the turbocharged Silvia and the 180SX, the svelte Fairlady Z or best of all, the mighty Godzilla itself, the venerable GTR Skyline. The mere thought of owning such street machines was enough to bring a hotheaded youth to full tumescence. To us, Nissan was the company that made cool, fun, daring …

Portraits: Nakai Akira – Rauh Welt Begriff (RWB)

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So I meet a lot of people as a portrait photographer – it’s part of the job. Another part of the job is that the people who end up in front of my lens are generally pretty interesting people, which makes a lot of sense, because there are not many magazines out there who will pay me good money to go and photograph a regular someone who no one wants to read about. This fact notwithstanding however, there are a lot of times when I’ve gotten an email or a call about a job to go photograph someone, and I’ve never heard of that person or their company. This is not particularly unusual, because there are a lot of interesting people in the world and they each have their own thing going in their personal circle of influence, which just hasn’t happened to intersect my own yet. Exploring all of these circles that add up together to create the vast and varied weave of humanity is what keeps this job interesting and fun. So when I got a call to …

Kimono - Tokyo Photographer Irwin Wong (34)

A Kimono Dyeing Factory in Tokyo

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It’s a new year but I’m continuing my series from last year, which is to show you a bunch of cool kimono-related things I shot for this book a few years ago. In the last blog post I focused on a really exclusive and high end kimono dyeing atelier run by a single guy. Here is a different kind of kimono dyeing factory that is a little bit on the other end of the spectrum, but no less cool. The first thing you see when you arrive at this place is this enormous rack for hanging and drying these really, really long bolts of kimono fabric that have just been dyed. It’s really impressive and there are plenty walking about on top of it hanging bits of fabrics or taking them in for folding. More photos of this thing later. By the way I used to have the Nikon system until I sold it and bought into the mirrorless camera revolution – I don’t miss anything about Nikon all that much except for the spectacular Nikkor …

Tokyo Photographer Irwin Wong - Kimono Now (11)

Kimono Designer Jotaro Saito + Tokyo Fashion Icon Kumamiki

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  Sometimes you really have to work for your shots, and sometimes all you need to do is show up. When you have a top class kimono designer providing attire, an entire Japanese restaurant booked out for your location and a beautiful  model organized for the entire day then I can definitively enter that into the ‘glad to be a photographer’ variety of days that I’m on the job. As I mentioned in my previous blog post I was fortunate enough to work with Manami Okazaki on her most recent book ‘Kimono Now‘, which is in stores currently. There were plenty of photos taken and a lot of the shots weren’t used so I thought I’d post some of the off-cuts here on my blog. Ah the memories. I was still using a Nikon D4 back in those days 🙂 Jotaro Saito’s website is here for anyone curious, and he has a pretty cool showroom in Roppongi Hills for those who need kimonos on the cutting edge of fashion.  This is the man himself: Next up …

Recent Portraits: Yoshiyuki Sankai of Cyberdyne Inc.

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I think I was about 8 when I watched James Cameron’s fantastic documentary Terminator 2: Judgment Day for the first time, and by golly that film scared the bejeezus out of me. Something about that scene where Linda Hamilton gets nuked, has her skin burned off and is turned into a skeleton in her nightmare really caused me to crap my pants. Also, the bit where the T-1000 stabs that carton of milk was particularly upsetting to me, for some reason. But the scene that really lodged itself into 8 year old self’s head was the death scene of token black character Miles Dyson, Cyberdyne employee and inventor of the microchip technology that would eventually lead to the self-aware computer called Skynet and all the nuclear shenanigans that entailed. In this scene Dyson, in keeping with the fine tradition of all token black characters in cinema history, has been shot and left for dead by all the white characters who have vacated the area quicker than a train carriage emptying out after a particularly bad fart. Poor Dyson, wounded and unable to …

Portraits from the Archives: Toyo Ito

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Never let it be said that I am not an unstoppable content producing machine. I churn out photos like my camera has some form of irritable bowel syndrome, which in itself is a great metaphor for most of my photos. The thing I tend to forget about is the part where I put them up somewhere to be seen; namely on this blog. If anyone’s counting (and I doubt anyone is), you’ll find that I wrote a grand total of 4 blog posts last year, averaging one every three months which equates to typing roughly one word every 6 hours. A pretty gruelling schedule you might say and I say yes, by the time I got to typing my typing fingers had all been tuckered out by the endless button pushing, dial spinning and head scratching that my job requires of me. Facetiousness aside though, I think we can safely delete the title ‘social media guru’ from my LinkedIn account profile, as last year I probably put as much effort into self promotion as a bodybuilder puts into binge eating. …

It’s…THE YEAR OF THE SHEEP!

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Happy New Year everyone! You guys know the drill by now – at the end of each year I shoot a Nengajo (a type of Japanese greeting card for the New Year) of my close friends/team members in the theme of a movie poster, featuring the animal of the year’s Chinese zodiac. You can check out the previous ones here and here. This year it was to be the year of the sheep, so I rounded everyone up, threw them into a car and drove down to a farm outside Tokyo to do the photoshoot. Well, actually it wasn’t quite so simple as that, as there was a fair bit of work involved in putting together all of the costumes and props, which meant hours trolling websites and vintage clothing stores around about Tokyo in order to find exactly what I wanted. I also needed to find a farm which would grant me permission to use their paddock and sheep as props for a whole afternoon, which meant driving down to several farms to check them out in person. Given that …