All posts filed under: Locations

Tokyo Photographer Irwin Wong - Nissan Design Center (34)

Car Stuff: Nissan Design Center in Atsugi, Japan

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Back in the day, when I was a young whippersnapper in Australia, my friends and I used to have dreams of owning a sweet import Japanese sports car so we could go drifting in the Dandenongs and pretend we were in some mountain drift racing group. We were fucking stupid, now that I think about it. Years later the impulse towards suicidal driving is gone but the love of Japanese cars still remains. Cars like the Toyota Supra or MR-2, Mazda RX-7, Honda S2000 or NSX, Mitsubishi Evo, Subaru WRX, all such automobiles as to set the pulse racing with thoughts of irresponsible speeding and reckless endangerment of other motorists on the rubber-streaked roads of Melbourne, Victoria. High amongst them all though, were the offerings from Nissan: the turbocharged Silvia and the 180SX, the svelte Fairlady Z or best of all, the mighty Godzilla itself, the venerable GTR Skyline. The mere thought of owning such street machines was enough to bring a hotheaded youth to full tumescence. To us, Nissan was the company that made cool, fun, daring …

Portraits: Nakai Akira – Rauh Welt Begriff (RWB)

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So I meet a lot of people as a portrait photographer – it’s part of the job. Another part of the job is that the people who end up in front of my lens are generally pretty interesting people, which makes a lot of sense, because there are not many magazines out there who will pay me good money to go and photograph a regular someone who no one wants to read about. This fact notwithstanding however, there are a lot of times when I’ve gotten an email or a call about a job to go photograph someone, and I’ve never heard of that person or their company. This is not particularly unusual, because there are a lot of interesting people in the world and they each have their own thing going in their personal circle of influence, which just hasn’t happened to intersect my own yet. Exploring all of these circles that add up together to create the vast and varied weave of humanity is what keeps this job interesting and fun. So when I got a call to …

Kimono - Tokyo Photographer Irwin Wong (34)

A Kimono Dyeing Factory in Tokyo

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It’s a new year but I’m continuing my series from last year, which is to show you a bunch of cool kimono-related things I shot for this book a few years ago. In the last blog post I focused on a really exclusive and high end kimono dyeing atelier run by a single guy. Here is a different kind of kimono dyeing factory that is a little bit on the other end of the spectrum, but no less cool. The first thing you see when you arrive at this place is this enormous rack for hanging and drying these really, really long bolts of kimono fabric that have just been dyed. It’s really impressive and there are plenty walking about on top of it hanging bits of fabrics or taking them in for folding. More photos of this thing later. By the way I used to have the Nikon system until I sold it and bought into the mirrorless camera revolution – I don’t miss anything about Nikon all that much except for the spectacular Nikkor …

Tokyo Photographer Irwin Wong - Kimono Now (11)

Kimono Designer Jotaro Saito + Tokyo Fashion Icon Kumamiki

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  Sometimes you really have to work for your shots, and sometimes all you need to do is show up. When you have a top class kimono designer providing attire, an entire Japanese restaurant booked out for your location and a beautiful  model organized for the entire day then I can definitively enter that into the ‘glad to be a photographer’ variety of days that I’m on the job. As I mentioned in my previous blog post I was fortunate enough to work with Manami Okazaki on her most recent book ‘Kimono Now‘, which is in stores currently. There were plenty of photos taken and a lot of the shots weren’t used so I thought I’d post some of the off-cuts here on my blog. Ah the memories. I was still using a Nikon D4 back in those days 🙂 Jotaro Saito’s website is here for anyone curious, and he has a pretty cool showroom in Roppongi Hills for those who need kimonos on the cutting edge of fashion.  This is the man himself: Next up …

Recent Portraits: Yoshiyuki Sankai of Cyberdyne Inc.

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I think I was about 8 when I watched James Cameron’s fantastic documentary Terminator 2: Judgment Day for the first time, and by golly that film scared the bejeezus out of me. Something about that scene where Linda Hamilton gets nuked, has her skin burned off and is turned into a skeleton in her nightmare really caused me to crap my pants. Also, the bit where the T-1000 stabs that carton of milk was particularly upsetting to me, for some reason. But the scene that really lodged itself into 8 year old self’s head was the death scene of token black character Miles Dyson, Cyberdyne employee and inventor of the microchip technology that would eventually lead to the self-aware computer called Skynet and all the nuclear shenanigans that entailed. In this scene Dyson, in keeping with the fine tradition of all token black characters in cinema history, has been shot and left for dead by all the white characters who have vacated the area quicker than a train carriage emptying out after a particularly bad fart. Poor Dyson, wounded and unable to …

Portraits from the Archives: Toyo Ito

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Never let it be said that I am not an unstoppable content producing machine. I churn out photos like my camera has some form of irritable bowel syndrome, which in itself is a great metaphor for most of my photos. The thing I tend to forget about is the part where I put them up somewhere to be seen; namely on this blog. If anyone’s counting (and I doubt anyone is), you’ll find that I wrote a grand total of 4 blog posts last year, averaging one every three months which equates to typing roughly one word every 6 hours. A pretty gruelling schedule you might say and I say yes, by the time I got to typing my typing fingers had all been tuckered out by the endless button pushing, dial spinning and head scratching that my job requires of me. Facetiousness aside though, I think we can safely delete the title ‘social media guru’ from my LinkedIn account profile, as last year I probably put as much effort into self promotion as a bodybuilder puts into binge eating. …

It’s…THE YEAR OF THE SHEEP!

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Happy New Year everyone! You guys know the drill by now – at the end of each year I shoot a Nengajo (a type of Japanese greeting card for the New Year) of my close friends/team members in the theme of a movie poster, featuring the animal of the year’s Chinese zodiac. You can check out the previous ones here and here. This year it was to be the year of the sheep, so I rounded everyone up, threw them into a car and drove down to a farm outside Tokyo to do the photoshoot. Well, actually it wasn’t quite so simple as that, as there was a fair bit of work involved in putting together all of the costumes and props, which meant hours trolling websites and vintage clothing stores around about Tokyo in order to find exactly what I wanted. I also needed to find a farm which would grant me permission to use their paddock and sheep as props for a whole afternoon, which meant driving down to several farms to check them out in person. Given that …

On Hasselblads, Noh, and freelancing for a living

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Sometimes I wonder if being a freelance photographer these days is a bad idea. Honestly, I do. I could count off the number of gripes I have about my chosen career and you’d have walked off in disgust before I’d even got started. To list of the main ones; it’s a terrifying world with no one to take you by the hand and guide you. Work and money don’t just fall into your lap – you have to go out and find it, and once you do, you have to fight off other photographers to keep it. You don’t get paid when you take time off to go on holiday. And then there’s the endless amount of drudge-work to do in between shooting that never seems to end or dry up. Taxes, insurance, rent payments, gear payments, more taxes – and in my case, visa applications, all sapping away at the resources you need to keep yourself motivated to get out there and keep that momentum up. A lot of people out there romanticize the …

NOT a list of 10 things I’ve learnt from shooting 4×5

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*Warning: sanctimonious rant ahead* I don’t know what the heck is the deal with people on the Internet these days, but there seems to be an overabundance of ‘wisdom lists’ propagating amongst photography blogs in particular. ’10 things I’ve learnt from street photography’, ‘9 things I’ve learnt from developing film’, ’26 life lessons I’ve learnt from greasing my shutter button’ etc. ad infinitum ad nauseam. People like this kind of thing I guess. Numbers, metrics, concrete results – if you’re shooting photos and spending the nest egg on gear and workshops then I guess being able to quantify your progress into discrete bullet points makes the whole game of photography a little more palatable for the average weekend warrior/aspiring photographer. Also, I hear the list thing is good for search engines, so if increasing that statistic is your focus as a photographer, good luck to you. So, lists. I dislike them for no rational reason and thusly have taken my first good step into crotchety old man territory. Frankly though, if we’re talking about things …

What to say when photographing people

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Here’s something that I’ve never really thought about all that much – what exactly do I say to people during a photoshoot?  More importantly, what’s the right thing to say? I shoot photos of people for a living and I think I am confident in winning the trust of my subjects, but to this day I’ve never really sat down and tried to break down my process for approaching my subjects and – essentially – getting them to do what I want before my time is up. So let’s begin at the start of this whole process – I’ve arrived (hopefully) early at the location, and set up my gear.  Next is usually the painfully long wait for the subject to arrive/get interviewed/finish getting ready, in which every possible excruciating thought passes through your mind: ‘what if he/she is in a bad mood?’ ‘what if the lighting I’ve set up doesn’t work for them?’ ‘what if they take a look at the setup and don’t like it?’ ‘is there a better spot I could have …