All posts filed under: Lighting

Playstation VR Portraits

Well there you have it – you think that you’re on a roll blogging regularly for a month or so and then shit hits the fan – work wise – and you fall off the bandwagon for about a third of the year. That’s always the way of things as a professional photographer – you’re either too busy to blog or you have too much time and you have to blog. Guess which phase I’m in now? Anyway with Tokyo Game Show coming up this weekend I’d like to introduce some portraits I shot for the wonderful folks at Polygon, one of the world’s top websites dedicated to video game journalism. The article that these photos accompanied was about the long road of development of Playstation VR – the virtual reality headset for – ou guessed it – the Playstation soon to be released around the world. The article itself is very in-depth and definitely worth a read; you can check it out on the Polygon website here: http://www.polygon.com/2016/3/9/11174194/the-making-of-playstation-vr. For my part – I was glad to meet …

Tokyo Portrait Photographer Irwin Wong (1)

Portraits: Kengo Kuma

As a portrait photographer in Tokyo I get to meet some cool people, but occasionally I’ll meet a legend. Case in point, ridiculously awesome architect Kengo Kuma. In addition to crafting some of the most recognizable buildings in Tokyo, Kengo Kuma has recently become a household name in Japan as the man who will design Japan’s National Olympic Station for 2020, after the government scrapped Zaha Hadid’s original design for being too expensive. He also beat out fellow Japanese architect Toyo Ito (who I also photographed here) to get the gig. I was fortunate enough to visit him in his moments in his office photographing him for Blueprint Magazine a few years ago. Seeing as I’m working my way through Japan’s top architects little by little, will anyone hire me to photograph Shigeru Ban or Tadao Ando? I’d love to add them to my Pokedex. Anyway, short post today but I’ll definitely be back soon with some ACTUAL GEAR POSTS because I definitely want people to follow me and we all know that camera prOn is the …

Tokyo Photographer Irwin Wong - Nissan Design Center (34)

Car Stuff: Nissan Design Center in Atsugi, Japan

Back in the day, when I was a young whippersnapper in Australia, my friends and I used to have dreams of owning a sweet import Japanese sports car so we could go drifting in the Dandenongs and pretend we were in some mountain drift racing group. We were fucking stupid, now that I think about it. Years later the impulse towards suicidal driving is gone but the love of Japanese cars still remains. Cars like the Toyota Supra or MR-2, Mazda RX-7, Honda S2000 or NSX, Mitsubishi Evo, Subaru WRX, all such automobiles as to set the pulse racing with thoughts of irresponsible speeding and reckless endangerment of other motorists on the rubber-streaked roads of Melbourne, Victoria. High amongst them all though, were the offerings from Nissan: the turbocharged Silvia and the 180SX, the svelte Fairlady Z or best of all, the mighty Godzilla itself, the venerable GTR Skyline. The mere thought of owning such street machines was enough to bring a hotheaded youth to full tumescence. To us, Nissan was the company that made cool, fun, daring …

Portraits: Nakai Akira – Rauh Welt Begriff (RWB)

So I meet a lot of people as a portrait photographer – it’s part of the job. Another part of the job is that the people who end up in front of my lens are generally pretty interesting people, which makes a lot of sense, because there are not many magazines out there who will pay me good money to go and photograph a regular someone who no one wants to read about. This fact notwithstanding however, there are a lot of times when I’ve gotten an email or a call about a job to go photograph someone, and I’ve never heard of that person or their company. This is not particularly unusual, because there are a lot of interesting people in the world and they each have their own thing going in their personal circle of influence, which just hasn’t happened to intersect my own yet. Exploring all of these circles that add up together to create the vast and varied weave of humanity is what keeps this job interesting and fun. So when I got a call to …

Tokyo Photographer Irwin Wong - Year of the Monkey (2)

It’s… the YEAR OF THE MONKEY!

Wahey! Congratulations all for surviving another year, although judging by the amount of KFC I just ate, that sentiment may be short lived for me. ANYWAY the new year is a time for reflection, a time for taking stock and quiet contemplation, and I’m happy to say that looking back on last year I can hold my head up high. For one thing, I all but DOUBLED the number of blog posts I put up compared to previous years (6 compared to 3) and managed a net gain of 13 Twitter followers, which for me is a really big deal because we all want to be popular, especially if you’re an Internashonal Fotografer like myself. So here’s to a successful 2016 in which I consolidated my status as social media powerhouse. By far though, my most favorite thing I made last year was definitely The Last Sentoshi – a camera-themed special effects superhero short film which I wrote, directed shot and edited, which NO ONE WATCHED, so that was cool. Hope to create more film …

Tokyo Photographer Irwin Wong - Kimono Now (11)

Kimono Designer Jotaro Saito + Tokyo Fashion Icon Kumamiki

  Sometimes you really have to work for your shots, and sometimes all you need to do is show up. When you have a top class kimono designer providing attire, an entire Japanese restaurant booked out for your location and a beautiful  model organized for the entire day then I can definitively enter that into the ‘glad to be a photographer’ variety of days that I’m on the job. As I mentioned in my previous blog post I was fortunate enough to work with Manami Okazaki on her most recent book ‘Kimono Now‘, which is in stores currently. There were plenty of photos taken and a lot of the shots weren’t used so I thought I’d post some of the off-cuts here on my blog. Ah the memories. I was still using a Nikon D4 back in those days 🙂 Jotaro Saito’s website is here for anyone curious, and he has a pretty cool showroom in Roppongi Hills for those who need kimonos on the cutting edge of fashion.  This is the man himself: Next up …

Finally – The Last Sentoshi has arrived

Well, I’ve been promoted the living shit out of it for the last week or so, and here it is finally: the official release of “The Last Sentoshi”. What is this? If you like photography and you like anime or superheroes, you might like this movie. Why’d I do this? I dunno! But I really had a blast making it. I really have to thank Nissin Digital Japan (they make strobes) for actually having the balls to do something like this. They had my back every step of the way and really helped out on the production side of things. Not a lot of companies, especially in Japan, are quite so willing to put their trust in someone so untested such as myself. I also have to really thank the entire cast and crew for all of their own time they put in over our manic 3 day shoot. I’ll be writing up about the process of getting this project off the ground in future blog posts, as I really stepped out of my comfort …

「最後の閃闘士」The Last Sentoshi: Trailer

I’m a bandwagon jumper. I’m not ashamed to admit it. I like to do things that everyone is doing, especially if everyone else finds it popular. Photography is one of those things, and so is eating. Recently another one of those popular things is superhero movies. I mean seriously, those things have really really taken off. Seems like about twenty of those things come out every year, and people can’t get enough of them. Me either. I’m watching them all, without fail. Except that Fantastic Four reboot, hoo boy. Josh Trank really screwed the pooch on that one. Anyway getting back to the point, superhero movies the new bandwagon and I’m a bandwagon jumper, so guess what! I made a superhero movie. Kind of. More accurately it’s a short film and it’s more anime-inspired than superhero-inspired. Here’s the trailer. The official release is on September 18. Hope you enjoy it and please share if you feel inclined! Also, here is the English subtitled version for non-Japanese understanding folks!

Portraits from the archives: Apichatpong Weerasethakul

Given that I’m somewhat nominally in the creative business, I occasionally find myself indulging in the delusion that I am some kind of flighty auteur type whose sensitive needs and fancies are incomprehensible to the common man, and that the everyday grind of administrative tasks such as emailing and dressing presentably are beneath me. This I use as an excuse for when I eat an entire bag of Funyuns in one sitting while marathoning the extended Lord of the Rings Directors Cut in my underwear. It also helps stave off the guilt when I spend a whole day hungover playing video games. Hey, I’m a sensitive artiste you know, I need all of this special time to get inspiration for my work, and by special time I mean rewatching season 6 of Seinfeld for the eleventh time. Human experience is all relative though and in my line of work I’m fortunate enough to meet lots of people who manage being both creatives as well as fully functioning adults at the same time. One such example is the Thai director Apichatpong Weerasethekul …

Recent Portraits: Yoshiyuki Sankai of Cyberdyne Inc.

I think I was about 8 when I watched James Cameron’s fantastic documentary Terminator 2: Judgment Day for the first time, and by golly that film scared the bejeezus out of me. Something about that scene where Linda Hamilton gets nuked, has her skin burned off and is turned into a skeleton in her nightmare really caused me to crap my pants. Also, the bit where the T-1000 stabs that carton of milk was particularly upsetting to me, for some reason. But the scene that really lodged itself into 8 year old self’s head was the death scene of token black character Miles Dyson, Cyberdyne employee and inventor of the microchip technology that would eventually lead to the self-aware computer called Skynet and all the nuclear shenanigans that entailed. In this scene Dyson, in keeping with the fine tradition of all token black characters in cinema history, has been shot and left for dead by all the white characters who have vacated the area quicker than a train carriage emptying out after a particularly bad fart. Poor Dyson, wounded and unable to …