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Carl Zeiss Batis 135mm f/2.8 – User Review

I’ve been using the Carl Zeiss Batis 135mm f/2.8 for over 2 months now and I’m going to be sad to return it. The Sony E-mount has been sorely missing a 135mm lens in its line-up and Zeiss has finally delivered in convincing style. I’m going to go into detail a little bit here about why I’ve enjoyed using this lens so much, and provide some sample photos for you all to gander at. First of all, it has to be noted that with the Batis series Carl Zeiss has gone and done something a little different to their usual approach to lenses. The Batis series is completely autofocus friendly, which is good news if you’re not comfortable with purely manual focus lenses (although I have a whole diatribe on why MF is back in a big way – here). Paired with the Sony A series’ rather excellent focus and eye tracking system, this makes the latest Batis an impressive lens indeed for all sorts of applications, which we’ll get to. Firstly however, I want …

Youtube Superstar: Kurt Hugo Schneider

A while ago I had the opportunity to photograph Youtube musician and producer Kurt Hugo Schneider when he was visiting Tokyo. For those of you who haven’t heard of him (although you probably have), Kurt is possibly what you would call a new media superstar – he’s the king of Youtube music with an incredible 7 million+ followers on his channel, he’s an amazing musician and producer, been on Ellen, Oprah, worked with Aviicii, been featured in WIRED magazine, and that’s not to mention his raw talent and ability to get things done. Did you I mention he’s also a super nice guy on top of all that? Strangely enough, the first time I came across Hugo’s work was not via his wildly successful Youtube channel – in fact it was on a Starcraft II gaming channel called HuskyStarcraft in which he does a parody of Justin Bieber’s ‘Baby’ called ‘Banelings’. In case you don’t know what a Baneling is a Zerg unit in Starcraft that sprays acid everywhere after it runs up to you …

Playstation VR Portraits

Well there you have it – you think that you’re on a roll blogging regularly for a month or so and then shit hits the fan – work wise – and you fall off the bandwagon for about a third of the year. That’s always the way of things as a professional photographer – you’re either too busy to blog or you have too much time and you have to blog. Guess which phase I’m in now? Anyway with Tokyo Game Show coming up this weekend I’d like to introduce some portraits I shot for the wonderful folks at Polygon, one of the world’s top websites dedicated to video game journalism. The article that these photos accompanied was about the long road of development of Playstation VR – the virtual reality headset for – ou guessed it – the Playstation soon to be released around the world. The article itself is very in-depth and definitely worth a read; you can check it out on the Polygon website here: http://www.polygon.com/2016/3/9/11174194/the-making-of-playstation-vr. For my part – I was glad to meet …

Tokyo Photographer Irwin Wong (7)

Earning your dinner – how to ask for permission to take a photo.

I’m going to tell you guys a little photography parable today, because who doesn’t like a cute little story with a moral lesson at the end? Every now and then it’s nice to have a peek inside the mental process of a photographer in order to see how certain pictures are made. In this case it’s a pretty simple story with a simple lesson but sometimes those are the ones we need to pay the closest attention to. Anyway, one of my favorite portraits of the year so far was shot with absolutely no preparation or foreknowledge of the subject’s existence. I’m in Fukuoka, one of Japan’s major southern cities and one of my favorite spots in all Japan. I’m there for a magazine photoshoot, which, as an editorial photographer is a rare treat. Traveling for photoshoots is significantly rarer nowadays so anytime I get to go anywhere to shoot portraits I get super stoked. Anyway I digress. The magazine shoot was wrapped and in the bag, and I decided to stick around in Fukuoka because I had a …

CEO Portraits: Masaaki Kanai of MUJI

Quick post today guys; this one is a portrait of MUJI CEO Masaaki Kanai that I photographed back in 2014. Japan is known as an exporter of many things but Nordic-style furniture is not one of them. That’s where furniture and lifestyle juggernaut MUJI come in – their empire of natural fibers and wood grains has expanded across the globe in an explosive fashion over the last few years. I met Mr. Kanai at the MUJI headquarters in Japan for about twenty minutes and was able to make a variety of portraits before my time was up. On a side note this is the photo shoot that made me decide to give Nikon the boot once and for all – I used my Nikon D4 (quite a high end camera I’d say) and the number of back focused and otherwise unusable shots due to under-performing auto focus made me so fed up that I sold the whole system and bought a into the mirrorless system instead. But that’s a story for another day!

Tokyo Bars – Bar Ben Fiddich in Shinjuku

Tokyo is a great place to be a photographer. In a city this big you’re going to find a lot of world class institutions, and one such institution that Tokyo is not lacking in is cocktail bars. In this post, budget airline carrier Jetstar commissioned me to photograph one certain Bar Ben Fiddich for their in-flight magazine、and let me tell you, photographing bars are some of the shoots that I most look forward to. Mainly because you get to drink the subject matter afterwards! Bar Ben Fiddich is located in Shinjuku, and would have been impossible to find if I hadn’t been told about it. The feel when you walk in is similar to that of an apothecary or the potions room in Harry Potter – the shelves behind the bar are lined with big glass jars filled with all manner of exotic spices and seasonings. The owner Kayama-san is actually a big absinthe fan, and studied in Switzerland in order to learn how to make it himself. I tasted a little of his home-brewed absinthe …

Tokyo Photographer Irwin Wong

Lens Review: Carl Zeiss Loxia 35mm f/2

Ok I’m just going to start out by saying I absolutely freaking love the Loxia lens lineup from Carl Zeiss. So the TL:DR version of this review is: get this lens if you have a Sony a7. Just get it. Anyway I know the Loxia lineup has been out for a while but I’ve spent a bunch of time with them on all sorts of jobs, especially the 35mm which was the first one that I purchased. I may not be able to provide the most technical review on the Internetz but I can definitely give you a sense of how the lens performs and feels working in the real world, where MTF charts matter less than how comfortable it feels in your hand. So to keep things concise right from the get go: Reasons why this lens is awesome: – Superb rendering and contrast – Super compact – Solid all metal construction – Manual focus throw is intuitively spaced – Great close focus – De-clickable aperture ring – Out of focus areas have a characteristic look Reasons why …

Irwin Wong - Tokyo Plastic Food (13)

Maizuru Plastic Food Company – Tokyo

Hello all! I’m back with another blog post detailing some my (paid and unpaid) photographic adventures in Japan. As a professional photographer in Tokyo I often get to visit some of the more wacky and interesting places on this side of Asia and this time was no exception. Today we have a bit of documentary and editorial photography of one of Tokyo’s most famous plastic food sample makers, Maizuru Plastic Food Company. Earlier this year Australian-based magazine Smith Journal contacted me to go photograph them for one of their features and I was all to happy to go. A bit of introduction to what the folks at Maizuru do – they hand make all of the plastic food samples that you’ll often see in the windows of Tokyo restaurants or cafes. That’s right – everything is hand made, right down to the molds and as such at the end of the day not a single food sample is identical, kind of just like actual food. Walking through the factory is a little surreal at times because there …

Tokyo Portrait Photographer Irwin Wong (1)

Portraits: Kengo Kuma

As a portrait photographer in Tokyo I get to meet some cool people, but occasionally I’ll meet a legend. Case in point, ridiculously awesome architect Kengo Kuma. In addition to crafting some of the most recognizable buildings in Tokyo, Kengo Kuma has recently become a household name in Japan as the man who will design Japan’s National Olympic Station for 2020, after the government scrapped Zaha Hadid’s original design for being too expensive. He also beat out fellow Japanese architect Toyo Ito (who I also photographed here) to get the gig. I was fortunate enough to visit him in his moments in his office photographing him for Blueprint Magazine a few years ago. Seeing as I’m working my way through Japan’s top architects little by little, will anyone hire me to photograph Shigeru Ban or Tadao Ando? I’d love to add them to my Pokedex. Anyway, short post today but I’ll definitely be back soon with some ACTUAL GEAR POSTS because I definitely want people to follow me and we all know that camera prOn is the …

Tokyo Photographer Irwin Wong - Nissan Design Center (34)

Car Stuff: Nissan Design Center in Atsugi, Japan

Back in the day, when I was a young whippersnapper in Australia, my friends and I used to have dreams of owning a sweet import Japanese sports car so we could go drifting in the Dandenongs and pretend we were in some mountain drift racing group. We were fucking stupid, now that I think about it. Years later the impulse towards suicidal driving is gone but the love of Japanese cars still remains. Cars like the Toyota Supra or MR-2, Mazda RX-7, Honda S2000 or NSX, Mitsubishi Evo, Subaru WRX, all such automobiles as to set the pulse racing with thoughts of irresponsible speeding and reckless endangerment of other motorists on the rubber-streaked roads of Melbourne, Victoria. High amongst them all though, were the offerings from Nissan: the turbocharged Silvia and the 180SX, the svelte Fairlady Z or best of all, the mighty Godzilla itself, the venerable GTR Skyline. The mere thought of owning such street machines was enough to bring a hotheaded youth to full tumescence. To us, Nissan was the company that made cool, fun, daring …